HOUSES A QUIET DARKNESS ALBUM FULL
HOUSES A QUIET DARKNESS ALBUM FREE

Ten years ago, I couldn't have made a record like this. However, this record is a nice reminder of that time. I even married him but it didn't last, we divorced this year after separating. Red Sparowes played with them in 2010 and I really fell in love with their sound and especially Evan Patterson. I love what Kevin was able to do with Young Widows.

At that time I wrote all the songs for specific musicians that I wanted to record with. We recorded at La La Land in Louisville, Kentucky with Kevin Ratterman. I have only fond memories associated with this record. I would say it was a happy coincidence in the end.

But now when I listen to the record, I think we created such a special and unique sound because of that. So all the clean guitars were recorded through a DI box, not through amps. It was also weird that the electricity was so bad in that place that we couldn't use the clean sound amps during the recording because then they would just squeak and growl. It was cold, so I had to keep a fire going non-stop. Interestingly, I was living alone in the desert for a while back then. We recorded Marked For Death the traditional way, instrument by instrument: tracking drums, then guitars, then bass.

HOUSES A QUIET DARKNESS ALBUM FULL

There are some pretty heavy guitars and full drums, and for the first time ever there's a full band playing. Marked For Death is definitely harder than anything I'd done up to that point. When I think about it, I've moved around a lot in my life, never had a permanent home, but I've actually lived with Cathy the most. I recorded this album in the desert where Cathy had her house. And I also know it's a lot of people's favorite. Marked For Death is often referred to as my breakthrough album. I don't know, I have bad memories associated with that time. This is definitely a more folky album than any other in my career. I think on Some Heavy Ocean I was looking for my sound, a way to compose, and at the same time a way to make my work more accessible to listeners. That's what brought my work and Sargent House together. I recorded the album at the house of Cathy Pellow, who is the founder of Sargent House Records. Some Heavy Ocean is in the spirit of classic singer-songwriting. Sometimes I'm sick of singing, even my own, haha. The record is mostly instrumental, experimental. Probably because it was such a spontaneous work. I recorded the songs on the computer during the tour and after the tour I organized a crowdfunding campaign so I could press the result on vinyl. I don't think anybody wanted me in the car because I smelled so bad. I made this record in a van on tour with the Red Sparowes, who I played with. However, there was a good reason to go through the discography so far and have Emma comment on each of her albums. As to what comes next, even she herself has no idea.

In interviews, Emma declares that Engine Of Hell is the last chapter of an era.

HOUSES A QUIET DARKNESS ALBUM FREE

The album's oppressive atmosphere has its catharsis in the last song, 'In My Afterlife,' where the artist observes her own life with distance and bids farewell with the assertion that we are all free now.

For Emma, it functioned as a time machine, which only added to the urgency of the record. It was the first instrument she learned to play before she traded it in for the guitar. By the way, the piano was not chosen at random either. In a musically unadorned record where everything was recorded live and in one take, Emma deals with years of trauma from her childhood and adolescence, as well as her struggle with addiction. 'I had to start dealing with the personal stuff I was used to running away from,' Emma said, adding that Engine Of Hell became a kind of therapy for her.Д®ngine Of Hell is not an easy album to listen to. She spent the first months of the lockdown on drugs and with a creative block, but she eventually confronted her demons. The musician, who has spent the last few years only on the road and in concert, suddenly found herself stuck in one place against her will. The Engine Of Hell album started to take shape in January 2020-and then covid interfered.

Houses a quiet darkness album